When it's over he's offered weed wings and a Clorox wipe to clean up his semen. He masturbates as the camera cuts between her dance and his lusting eyes. At the end of his journey there's Mercedes (Brandee Evans) in metallic boots with flaming heels and a cowboy hat. He pays for the full experience and is led down an X-rated Alice in Wonderland style rabbit hole, a fantasy where he leaves the world of disease and an overcrowded house behind and enters a world of sudsy women lit in neons. It follows a man we the audience have never seen before as he is lured by 'Pussyland,' a car wash-slash-strip show that The Pynk's proprietors and dancers have set up during COVID lockdown. And yet the second season premiere breaks that tradition, just slightly, to incredible effect. Though the series chronicles the women who work at The Pynk, an establishment in fictional Chucalissa, Mississippi, it largely ignores leering men who come to view them work the pole. P-Valley, the captivating drama on Starz, usually doesn't focus on the perspective of the average strip club patron.
